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Wird die Rente gekürzt Wenn ich im Ausland lebe

Numerous colour illustrations of the works and previously unknown documents illustrate these discussions, supplemented by way of a chronology based on the latest state of research and a detailed scientific apparatus.
A DVD having an excerpt from the video recording of the Abschöpfsymphonie from 1979 (first publication) is enclosed with the exhibition book being an encore.
The hereby uploaded proof reading copy contains some small notes and corrections and differs therefore from the final edition.

With the involvement of two curators of further Roth exhibitions – the fluxus specialist Gabriele Knapstein (Nationalgalerie im Hamburger Bahnhof Berlin) and Sven Beckstette (Kunstmuseum Stuttgart) – connections to concrete poetry, the Viennese group, Fluxus and artist music are worked out.
A concluding discussion with the improviser Walter Fähndrich examines the annals and topicality of Roth’s music-making in the context of the collaboration Rarely Heard Music (“Selten gehörte Musik”).

  • The hereby uploaded proof reading copy contains some small notes and corrections and differs therefore from the final edition.
  • A concluding discussion with the improviser Walter Fähndrich examines the annals and topicality of Roth’s music-making in the context of the collaboration Rarely Heard Music (“Selten gehörte Musik”).
  • A DVD with an excerpt from the video recording of the Abschöpfsymphonie from 1979 (first publication) is enclosed with the exhibition book being an encore.

This article outlines dominant problems of the Intermedia Art from the sixties in utilizing the terms ‘ action’ and ‘ concept’ as guidelines.
The outline of the development of Performance Art features happenings in New York and Vienna in the sixties along with body art and performances with closed circuits in the seventies (among others).